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Horror Film


Stacey Abbott. Celluloid Vampires: Life After Death in the Modern World. University of Texas Press. 2008. 304pp.

Kent Byron Armstrong. Slasher Films: An International Filmography, 1960 Through 2001. McFarland & Co.. 2003. 366pp.

Rick Atkins. Let's Scare 'Em! Grand Interviews and a Filmography of Horrific Proportions, 1930-1961. McFarland. 1997. 250pp.

Linda Badley. Film, Horror, and the Body Fantastic. Greenwood Publishing Group. 1995. 199pp.

Harry M. Benshoff. Monsters in the Closet: Homosexuality and the Horror Film. Manchester University Press. 1997. 328pp.

Andy Boot. Fragments of Fear: An Illustrated History of British Horror Films. Creation Books. 1996. 283pp.

Mark Clark. Smirk, Sneer and Scream: Great Acting in Horror Cinema. McFarland. 2004. 257pp.

Carol J. Clover. Men, Women, and Chain Saws: Gender in the Modern Horror Film. Princeton University Press. 1992. 260pp.

Jonathan Lake Crane. Terror and Everyday Life: Singular Moments in the History of the Horror Film. Sage. 1994. 183pp.

Charles Derry. Dark Dreams: A Psychological History of the Modern Horror Film. A. S. Barnes. 1977. 143pp.

Jeremy Dyson. Bright Darkness: The Lost Art of the Supernatural Horror Film. Cassell. 1997. 282pp.

Dennis Fischer. Horror Film Directors, 1931-1990. McFarland. 1991. 877pp.

Cynthia A. Freeland. The Naked and the Undead: Evil and the Appeal of Horror. Westview Press. 2000. 320pp.

Barry Keith Grant (editor). The Dread of Difference: Gender and the Horror Film. University of Texas Press. 1996. 456pp.

Steffen Hantke (editor). Horror Film: Creating and Marketing Fear. University Press of Mississippi. 2004. 261pp.

Jim Harper. Legacy of Blood: A Comprehensive Guide to Slasher Movies. Critical Vision. 2004. 192pp.

Joan Hawkins. Cutting Edge: Art-Horror and the Horrific Avant-Garde. University of Minnesota Press. 2000. 326pp.

Kevin Heffernan. Ghouls, Gimmicks, and Gold: Horror Films and the American Movie Business, 1953-1968. Duke University Press. 2004. 323pp.

David J. Hogan. Dark Romance: Sexuality in the Horror Film. McFarland. 1997. 334pp.

Reynold Humphries. The American Horror Film: An Introduction. Edinburgh University Press. 2002. 216pp.

Peter Hutchings. Hammer and Beyond: The British Horror Film. Manchester University Press. 1993. 193pp.

Peter Hutchings. The Horror Film. Pearson Longman. 2004. 244pp.

Tom Johnson. Censored Screams: The British Ban on Hollywood Horror in the Thirties. McFarland. 1997. 206pp.

Stephen Jones. The Essential Monster Movie Guide: A Century of Creature Features on Film, TV and Video. Watson-Guptill. 2000. 448pp.

David Kerekes. Creeping Flesh: The Horror Fantasy Film Book. Headpress. 2004. 160pp.

Adam Lowenstein. Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film. Columbia University Press. 2005. 255pp.

Joseph Maddrey. Nightmares in Red, White and Blue: The Evolution of the American Horror Film. McFarland. 2004. 201pp.

Gregory W. Mank. Hollywood Cauldron: Thirteen Horror Films from the Genre's Golden Age. McFarland. 1994. 404pp.

Gregory W. Mank. Women in Horror Films: 1940s. McFarland. 1999. 393pp.

John Kenneth Muir. Horror Films of the 1980s. McFarland & Co.. 2007. 829pp.

John Kenneth Muir. Horror Films of the 1970s. McFarland. 2002. 662pp.

Daniel O'Brien. Spooky Encounters: A Gwailo's Guide to Hong Kong Horror. Headpress. 2003. 191pp.

Kendall R. Phillips. Dark Directions: Romero, Craven, Carpenter, and the Modern Horror Film. SIU Press. 2012. 215pp.

Kendall R. Phillips. Projected Fears: Horror Films and American Culture. Praeger. 2005. 227pp.

Isabel Cristina Pinedo. Recreational Terror: Women and the Pleasures of Horror Film Viewing. SUNY Press. 1997. 177pp.

David Pirie. A Heritage of Horror: The English Gothic Cinema, 1946-1972. Gordon Fraser. 1973. 192pp.

Siegbert Solomon Prawer. Caligari's Children: The Film as Tale of Terror. Da Capo Press. 1989. 330pp.

Stephen Prince (editor). The Horror Film. Rutgers University Press. 2004. 272pp.

Adam Rockoff. Going to Pieces: The Rise and Fall of the Slasher Film, 1978-1986. McFarland. 2002. 214pp.

Carl Royer; Diana Royer. The Spectacle of Isolation in Horror Films: Dark Parades. Haworth Press. 2005. 120pp.

Jamie Russell. Book of the Dead: The Complete History of Zombie Cinema. FAB Press. 2005. 319pp.

Steven Jay Schneider (editor). Horror Film and Psychoanalysis: Freud's Worst Nightmare. Cambridge University Press. 2004. 299pp.

Jay Slater. Eaten Alive! Italian Cannibal and Zombie Movies. Plexus. 2002. 256pp.

Gary A. Smith. Uneasy Dreams: The Golden Age of British Horror Films, 1956-1976. McFarland. 2000. 267pp.

Robert Spadoni. Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre. University of California Press. 2007. 190pp.

Scott Aaron Stine. The Gorehound's Guide to Splatter Films of the 1980s. McFarland. 2003. 398pp.

Gregory A. Waller. American Horrors: Essays on the Modern American Horror Film. University of Illinois Press. 1987. 228pp.

Paul Wells. The Horror Genre: From Beelzebub to Blair Witch. Wallflower. 2000. 130pp.

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