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Diner (5-Mar-1982)
Director: Barry Levinson Writer: Barry Levinson Original Music Composed by: Bruce Brody; Ivan Kral Producer: Jerry Weintraub Keywords: Drama
CAST | Starring | | Steve Guttenberg | ... Eddie | | Daniel Stern | ... Shrevie | | Mickey Rourke | ... Boogie | | Kevin Bacon | ... Fenwick | | Timothy Daly | ... Billy | | Ellen Barkin | ... Beth | | Paul Reiser | ... Modell | | | Featuring | | Kathryn Dowling | ... Barbara | | Michael Tucker | ... Bagel | | Colette Blonigan | ... Carol Heathrow | | Jessica James | ... Mrs. Simmons | | Clement Fowler | ... Eddie's Father | | Kelle Kipp | ... Diane | | | John Aquino | ... Tank | | Richard Pierson | ... David Frazer | | Claudia Cron | ... Jane Chisholm | | Tait Ruppert | ... Methan | | Tom V. V. Tammi | ... Howard | | Pam Gail | ... First Stripper | | Lauren Zaganas | ... Second Stripper | | Sharon Ziman | ... Bride | | Mark Margolis | ... Earl Maget | | Ralph Tabakin | ... TV Customer | | Frank Stoegerer | ... TV Director | | Nat Benchley | ... Technical Director | | Frank Hennessy | ... Audio Man | | Marvin Hunter | ... Newscaster | | Steve Smith | ... Announcer | | Lee Case | ... Billy's Father | | Howard (Chip) Silverman | ... Clothing Hustler | | Ted Bafaloukos | ... George | | Barney Cohen | ... Knocko | | Bruce Kluger | ... Guy at Pool Hall | | Bruce Elliot | ... Soap Opera Man | | Carole Copeland | ... Soap Opera Woman | | Aryeh Cooperstock | ... Rabbi | | Brian Costantini | ... Drunk at Wedding | | Lorraine D. Glick | ... Woman at Wedding | | Florence L. Moody | ... Waitress | | Mary Lou Vukov | ... Waitress | | Alan Kaplan | ... Bagel's Friend | | Donald Saiontz | ... Bagel's Friend | | Chief Gordon | ... Man in Jail | | Beverly Sheehan | ... Beautician | | Dusty Clare | ... Salon Woman |
REVIEWS Review by E. Tallahassee (posted on 26-Aug-2008) Set in Baltimore in 1959, Diner tells of the story of a group of male, high school friends, now in their twenties, who reunite at the Fells Point Diner for the wedding of one of their group. The semi-autobiographical film explores the changing relationships among these friends as they become adults through what is mostly a series of vignettes rather than a traditional narrative. Much of the film is unscripted, Levinson preferring to use ad libbing to capture naturalistic camaraderie on the screen.
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