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CAST
| Starring |
| Steve Guttenberg | ... Eddie |
| Daniel Stern | ... Shrevie |
| Mickey Rourke | ... Boogie |
| Kevin Bacon | ... Fenwick |
| Timothy Daly | ... Billy |
| Ellen Barkin | ... Beth |
| Paul Reiser | ... Modell |
|
| Featuring |
| Kathryn Dowling | ... Barbara |
| Michael Tucker | ... Bagel |
| Colette Blonigan | ... Carol Heathrow |
| Jessica James | ... Mrs. Simmons |
| Clement Fowler | ... Eddie's Father |
| Kelle Kipp | ... Diane |
|
| John Aquino | ... Tank |
| Richard Pierson | ... David Frazer |
| Claudia Cron | ... Jane Chisholm |
| Tait Ruppert | ... Methan |
| Tom V. V. Tammi | ... Howard |
| Pam Gail | ... First Stripper |
| Lauren Zaganas | ... Second Stripper |
| Sharon Ziman | ... Bride |
| Mark Margolis | ... Earl Maget |
| Ralph Tabakin | ... TV Customer |
| Frank Stoegerer | ... TV Director |
| Nat Benchley | ... Technical Director |
| Frank Hennessy | ... Audio Man |
| Marvin Hunter | ... Newscaster |
| Steve Smith | ... Announcer |
| Lee Case | ... Billy's Father |
| Howard (Chip) Silverman | ... Clothing Hustler |
| Ted Bafaloukos | ... George |
| Barney Cohen | ... Knocko |
| Bruce Kluger | ... Guy at Pool Hall |
| Bruce Elliot | ... Soap Opera Man |
| Carole Copeland | ... Soap Opera Woman |
| Aryeh Cooperstock | ... Rabbi |
| Brian Costantini | ... Drunk at Wedding |
| Lorraine D. Glick | ... Woman at Wedding |
| Florence L. Moody | ... Waitress |
| Mary Lou Vukov | ... Waitress |
| Alan Kaplan | ... Bagel's Friend |
| Donald Saiontz | ... Bagel's Friend |
| Chief Gordon | ... Man in Jail |
| Beverly Sheehan | ... Beautician |
| Dusty Clare | ... Salon Woman |
REVIEWS
Review by E. Tallahassee (posted on 26-Aug-2008)
Set in Baltimore in 1959, Diner tells of the story of a group of male, high school friends, now in their twenties, who reunite at the Fells Point Diner for the wedding of one of their group. The semi-autobiographical film explores the changing relationships among these friends as they become adults through what is mostly a series of vignettes rather than a traditional narrative. Much of the film is unscripted, Levinson preferring to use ad libbing to capture naturalistic camaraderie on the screen.
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