| James Kirby  AKA Leyland James Kirby
Born: 9-May-1974
Birthplace: Edgeley, Stockport, England
Gender: Male
Religion: Atheist
Race or Ethnicity: White
Sexual orientation: Straight
Occupation: Electronic Musician Nationality: England
Executive summary: V/Vm, The Caretaker Taking as its anthem the Lieutenant Pigeon song Mouldy Old Dough, Kirby's label V/Vm Test has released the most terrible music imaginable, often made to sound even worse. As V/Vm he was most notorious for his plunderphonic work -- the mangled pop tunes of Sick Love (2000) for instance, where dredged-up hits like Chris de Burgh's "The Lady In Red" and The Bee Gees' "How Deep Is Your Love" undergo drastic surgery and pitch inversion, were only the cream on a much deeper dredge of commercial, especially British popular culture. For a time his most visible release was Help Aphex Twin (2001), an attack on the mythologized knob twiddler Richard D. James. Kirby was an unsung casualty in the war against corporate music and bad copyright law, after his gonzo 2003 release Relax -- a Frankie Goes to Hollywood orgy, released on CD, 12", 7", and picture disc at great expense -- brought down the hammer of the British Phonographic Industry and forced him into hiding, threatening his label's existence.
Kirby re-emerged in 2005 after a long, productive hiatus. Finding only disgust for the now-trendy regurgitation of the past in mashup form, his first act was to revive one of the few untrampled byways of his raver youth, Belgian New-Beat, through a single 12" later supplemented by a series of online-only releases. Late in the year, he unveiled a large, new work under his parallel alias The Caretaker, Theoretically Pure Anterograde Amnesia, which all came to over six hours of new music. But this was just a taster for his most ambitious project of all, and the conclusion of a decade's efforts as V/Vm -- the V/Vm 365 project. Each day for all of 2006, Kirby created new music and released it all for free on his website. This production was no small task as his work was disrupted both by relocation from Manchester to Berlin, by illness, and by a debilitating fall suffered during a performance in Belgium. Yet Kirby persevered, and by the end of December, he had produced over 600 audio tracks, well over fifty hours of free audio, over six gigabytes of freely licensed music. The project's embers glowed in the form of the Vuzkid imprint, which operated in true netlabel form, releasing work ranging from Kirby's own haunting White Death, to burn-it-all retrospectives by relative unknowns. Out of the blue and into the black, Kirby heralded the new year 2009 by declaring the end of V/Vm and the start of a new project, History Always Favours The Winners. V/Vm (1996-2008)
The Caretaker (1999-)
History Always Favours The Winners (2009-)
Official Website:
http://www.brainwashed.com/vvm/
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